Process-wise, every few hours my buffer runs out and I need to take a break and let it refill. Earlier this year, I had an opportunity to have nearly a week of uninterrupted writing time, and I discovered that I can write for more than twelve hours at a stretch, but that time has to be broken up with hour long breaks. My fingers do eventually catch up with my brain.
So, taking a buffer break this afternoon. It’s as good a time as any to roll up the past week or so into a blog post.
The Mongoliad Book Three has been turned in. Two and a half years of working on that book with six other writers, and it’s all done but for the copy edits. Good thing, too, as it comes out next February. SINNER comes out in a week and a half, and it is the first of the Foreworld Side Quests, novellas set during our extensive chronology. This one takes place a few years before the main action of the The Mongoliad. SEER, the one I’m working on now, follows a few years later. Along with DREAMER, they make for a loose triptych of stories about two of my favorite characters from the medieval era of Foreworld.
Editorial notes for Earth Thirst have come in. I’m supposed to get those dealt with by the middle of September, which should, technically, be the end of the looping hell schedule I’ve been on. But there are two more novellas to write, one to edit and co-write, and the other two medieval era Foreworld books to shepherd along. Somewhere in there, I suspect another book will start germinating.
Chris Randall, one-time leader of Sister Machine Gun and a bit of a 21st Century Renaissance man, has posted a lengthy argument about the relationship between art and commerce in this modern era. He points out that it is NOT a manifesto (more of a mission statement, if you will), but it is certainly a call for awareness. Give it a read: ‘It’s Not A Memo…’. It’s definitely something that I think all creatives–regardless of their industry–should give some thought to.
My schedule over the past year (and in the near future as well) certainly is part of the overall argument that one should ‘shut up and make art.’ There is a lot more that can be discussed about the relationship between a creative and their audience, but fundamentally, it does come down the fact that you must create–often and consistently–before you can really start to consider reaping the commercial benefits of building a reputation garden.