Story Time

Book Talk, Friends, Making Things Up

A little while ago, three writer pals and I put together an ad-hoc reading series. We showed up at Belmont Books in PDX, read some stories, and then went and had drinks around the corner. It was fun. Books were sold. We’re going to do it again in September. What did we read? Bits from Space Cocaine, of course.

Space Cocaine cover

Space Cocaine: | Indiebound | Amazon | Barnes & Noble | iTunes | Kobo |

My bit was from “The Vacation Not Taken,” which is the first section of The Cosmic Game, a serial that I’ll be working on throughout this year. In fact, another section of that book can be found in An Interpretation of Moles, which is out now. It’s a collection of stories about moles, and we were given a Venn Diagram visual aid to help us. I went for all quadrants (like I do).

An Interpretation of Moles cover

An Interpretation of Moles: | Amazon | Barnes & Noble | iTunes | Kobo |

Meanwhile, I’ve just about finished up the relaunch of Underland Press, and I’m still reading for XVIII, the next volume in the Underland Tarot project. Yes, it’s actually got a project name now instead of that vague “tarot-thingie that I’m doing.”

Submission Guidelines for XVIII are here.

Get on the Space Cocaine mailing list here. We’re only using it to inform folks of new readings and publications, so it’ll be very low traffic.

Listening: Bill Laswell is dumping a lot of content to Bandcamp these days, which is making it easy for me to find groovy new stuff to listen to.

Reading: Lisa Lutz’s The Swallows is fantastic, as is David Koepp’s Cold Storage. Both are out in September, which means y’all will have to wait. Sorry. Perks of being a bookseller. However, Mick Herron’s Joe Country is out, and you are all reading his Slough House novels already, aren’t you?

Playing: I’ve discovered Dinosaur Island, Wingspan, and Gizmos, which are making me think about game design again. Also, the clever folks at Gearbox have put out a new pack for Borderlands 2 which leads into Borderlands 3. Naturally, I need to be up on the narrative, right?

Eulogy for Enkidu


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The trouble with giving your pet a name that has significant symbolic and mythological relevance is that you get everything that comes with the name—good and bad. And while you can be clever and ha ha ha! laugh some of it off for awhile, eventually, everything comes full circle.

Let’s start at the end, and work our way back around. Last night, Enkidu—Ghost Cat, Ole Squinty, Hook Fang, or any of the dozen other names I’ve saddled him with over the years—wandered out into the yard, flopped down on the wet grass, and spent his last hour breathing the night air and listening to the river and the wind. The cat years had caught up with him in the last month or two, and the recent move disrupted him more than either of us thought it would. Over the last few days, he stopped eating, and yesterday, when we got home, he was very wobbly and gaunt. He didn’t want any company, and so we let him find his own spot in the yard. Soon after, he quietly passed on.


Two years ago, I spent a weekend in the woods at a personal retreat that I quietly dubbed “occult camp,” and the experience was, well, transformative. I came out of the woods with the idea for XIII, the anthology of transformative stories that Resurrection House did last year, as well as a relationship with Ereshkigal. Make of that what you will, but during the next year as I was charting a new course both personally and professionally, it was comforting to have some manner of spiritual guide to interact with. Someone who would offer me signs that I was making the right decisions. Ultimately, regardless of all that, the experience in the woods and with the number ’XIII’ gave me strength and focus.

I’m going into the woods again this weekend for another round of occult camp. This year, the theme is “Stories at the End of the World,” and the basis is XVI—the Tower, the impossibly tall one which has been struck by lightning. The blast throws the magician, the king, and the fool into the void. If there is a shitty card to get in the Major Arcana, this is it. Symbolically—always keeping things positive, right?—this is the cataclysmic opportunity to find yourself.

In the Epic of Gilgamesh, Gilgamesh is so wracked by despair at the death of Enkidu that he sets off on a quest that will consume the rest of his life—the quest for immortality. Is because he can’t bear the idea of losing someone else? Because he is afraid of dying, now having suffered the loss of someone he cared so much for? Or was it because he became aware of the fleeting futility of existence and wanted something more—something more permanent. Something that, ultimately, he realized he could never find.

How much of the later portion of his life was merely spent trying not to think about the absence of his best friend?

I’m trying to not think about any of this as I pack my bags for a weekend in the woods. I think I’m failing. That’s the downside of giving symbolic representations power over you.


In the tarot, XIII is Death, and Death is transformation. Today, I realize that the transformation that occurs upon death is mostly in the mind of those who remain living. The cat version of Enkidu is no longer here with me. He’s not going to jump onto the back of the couch and lick my head or shadow box the plant. He’s not going to give me the stink eye about sitting on my lap before coming over and flopping heavily against my leg while I watch a movie. He’s not going to poop in the garage next to my exercise bike to let me know that I was gone too long today. What’s left is a memory—a fleeting shadow of a presence. He’s been transformed into the best parts of who he was (including the garage pooping, because, frankly, he never did it when I was out of town; he always waited until I returned).

It sounds like maudlin bullshit, and probably is. But he was a good cat and a good companion, and I am going to miss him. Because, every day, I stopped and paid attention to him until he started to make the cat noise. And nothing else mattered for those precious minutes. That’s what friends do for each other, right? We stop time. We cover eyes and soothe savaged spirits. We smile and make eye contact and say I believe in you.

And sometimes it is just: I waited a long time for you and I crapped on the cold garage floor to show you displeasure at your absence, and I’d really like you to crack open one of those cans of tasty chicken and tuna right fucking now or I will trip you and eat your brains after you bash your head in on the edge of the counter as you fall. And other times, it’s merely: Go away; I’m napping.

Friends, you know? It can be hard to show affection all the time. I get it.

But there was always the sudden arrival, the querulous throat noise, the flop, and the presence. And now that’s all gone.


Last night, the kids’ new cat—Eli—came up to my room and made himself comfortable on my bed. Eli is a bit like a puffer fish shoved into a cat suit, and unlike Enkidu, he wasn’t terribly bothered by the fact that he was right where I wanted to put my legs when I got into bed. I was polite for a bit, and then I picked him up and moved him over. As I got settled, I figured all the movement would disturb him and he would wander off to find some other place to sleep. This was not the case. He just turned and crawled toward the head of the bed so that he could look at me with his big dopey eyes, as if to say, “I’m going to stay right here tonight. I’m going to watch over you.”

I didn’t let Enkidu sleep with me because he had a tendency to walk across my head three or four times a night before he left the room. And when he did stay, he wanted to sleep in the exact center of the bed.

Eli stayed until after I was asleep, and then he wandered off. I didn’t hear or feel him go, but I didn’t need to. I knew he had stayed.

Cats are funny creatures.


The dedication to XIII reads: “To E, who resides in the woods and in our hearts.” At the time, I thought the “E” stood for Ereshkigal, but now, I’m not so sure.

The Immortality of Storytelling


My dear friend Mark Lewis passed away last Sunday. I wasn’t aware that he was anything other than healthy, and so the news has come as quite a shock. I’ve known Mark for . . . a long time now, and he is—was, Goddamnit—a storyteller by profession and inclination. Hell, go read his obituary at the Eugene Register-Guard. They run down who he was (is! Goddamnit!) better than I can.

He officiated my wedding. Probably the only man qualified to bless the union of a Jewish empath and a pragmatic occultist. On the Winter Solstice, no less.

He believed in the power of narrative, in the eternally magical gift of storytelling. I recall visiting he and his wife, playing Scrabble (and making up words), and listening to him talk about being true to that spark in your soul. He fought hard over the years to do what he wanted as a career, and it wasn’t always an easy path, but he did it. At the time—I was such a young fool—I would occasionally think him a bit mad to hold so tight to that belief. But you just have to look at the list of things that he accomplished to know, without any doubt, that he made a life out being a storyteller.

It is not lost on me that I’ve made some career choices in the last few years that sync up pretty well with that burning passion I saw in Mark. And I don’t find them the least bit mad now. He’d laugh about that. He was right more often than not about the important things.

He played Santa Claus on an episode of Leverage. Though, technically, he played a mall Santa who was unjustly shown the door. The Leverage crew helped out—like they do—and, well, you should go watch it for the last few scenes. Especially with the holidays upon us.

One of the characters in the ETERNAL QUEEN project is the immortal pirate captain, Lucian Moore. Modeled in one part on Francis Drake. I realize now that quite a few other parts are modeled on Mark. And that’s what immortality is, isn’t it? How those dear to us find themselves never forgotten.