Thinking about Harry Potemkin

Book Talk

I’ve turned in another draft of Eternal Queen materials for Worldspinner. This was an interesting project, with opportunities to flex my brain in new ways. The world of the Eternal Queen was reduced to a title card of “Pirates and Sea Monsters!” and I was asked to produce a short story, a dozen points of interest, and a dozen plot starters. The short story was easy. The points of interest were a bit more complicated in that they couldn’t necessarily reflect any given terrain or location as the Worldspinner engine will drop them randomly on the RPG maps when it generates them. And the plots were . . . well, it’s somewhat problematic to tell a writer to generate teasers for plots in less than 500 words. Writers tend to create situations for characters and then we want to spin them up and see what happens. Once spun up, there is a part of my brain that starts squawking, “And then what happened?”

The plots took a little while.

But the value of the whole experience is that I just spent a month or so doing a bunch of world-building for the Eternal Queen, which is going to help me immensely when I get to writing that book. My vision of that world takes place a hundred years after the material generated for Worldspinner. All of the major players will still be around, but a lot of the smaller plots I built will have little impact on the events of the book. I like that the Eternal Queen world will be out there on RPG maps and that people will be playing in it before the books come out. It’s pre-building an audience, if you will. Shamelessly so.

That’s done, and I’m getting back to FERAL in a few days, but I’m spending some of this week mulling over POTEMKIN again. It can still be read in its sprawling entirety at Farrago’s Wainscot, where it ran as part of the inaugural year. We’re still trying to figure out the best way to recreate this experience in a printed book, and the last pass resulted in us realizing that it should be a two-color book, which immediately made it expensive. And then we thought it should be a series of smaller books, nestled inside a box, which also made it expensive. And then we realized there was no real easy way to do hypertext or footnoting in an ebook, and we gave up.

But it gnaws at me still. I want to make a physical version of THE POTEMKIN MOSAIC, but I just don’t know if a) anyone will care, and b) if they do, will it be affordable? We’ve talked about Kickstarter and Patreon as options, but both have their pluses and minuses. And so on and so forth. But what really needs to be settled first is a vision. In a perfect world, what do I want it to look like?

First off, let’s start with the idea that the best approximation of hypertext in a printed format is multiple volumes. POTEMKIN needs to be consumed in a way that allows you to be distracted from where you started, yet still allows you to find your way back to where you were. Choose Your Own Adventure books always move you forward. You don’t worry about where you’ve been, and so “flip to page 38” is a perfectly functional way to explore a book. You don’t run the adventure again until you finish; at which point, it’s a new adventure. With POTEMKIN, what sends you back is your own desire to return to familiar narrative ground. To that end, separating the material into several blocks of text and presenting them as isolated objects allows for the reader to start in one book, reference another as necessary, and even pick up a third or fourth if the notes suggest as much. All without losing track of your place in the first book.

Which gives us:

THE DREAMS. The twelve dream entries in Harry’s dream journal.
THE LEXICON. The alphabetical listing of the various words and phrases that have intent within Harry’s oneiromantic journey.
TH3iR. The marketing material related to the experimental drug Bleak Zero.
THE AMAZON JOURNAL. The fragmented journal of Dr. Ehirllimbal, who ventured into the Oneiroi during a trip to the Amazon.
SAFIQ’S NOTEBOOK. The cryptic pieces from the Book of Dreams, written by the Persian mystic, Safiq Al-Kahir.
TALKING WITH NORA. The material that is mental transcriptions of conversations with Nora, the patient who disappeared into the Oneiroi under Harry’s care.
THE MAILING LIST. The collection of transcripts from the alt.oneirology.entheogens mailing list.

40K for the Dreams. 52K for the Lexicon. 8K for Ehirllimbal’s journal. 18K for the mailing list. And a couple thousand for the rest. All told, it’s about 120K, or 400 pages in a normal sized book.

As a single volume, this costs me about $5.00 a copy to make. A print run of 3,000 costs me $15K. I price it at $20, which nets me around $10, and I have to sell 1,500 of them to break even. And the question that I keep coming back to is: are there 1,500 people who want to disappear down this rabbit hole? And if so, are they going to be happy with flipping back and forth in a single volume, or would they really prefer spreading a bunch of books out on a desk and getting lost?

I looked at Mark Danielewski’s House of Leaves the other day. For all his permutations and crawling into the margins, House of Leaves is still a forward moving narrative. POTEMKIN is not. It can be, but it’s not meant to be. Therein lies the crux of the head-scratching.

Anyway, more ruminating will happen. I’d be delighted to hear comments, thoughts, suggestions from anyone who has a reaction to the idea of experiencing POTEMKIN as a print volume. How would you like to see it presented? Would you prefer a halfway solution (a single volume) or would you prefer to embrace the experience fully (multiple volumes)? Would the full experience be something that you’d prefer to be limited, and possibly of higher production value (and cost)? Would you contribute to a Kickstarter for this? A Patreon? Would you like me to get back to you in a few weeks when you’ve extricated yourself from the madness that is Harry’s dreams?

This’ll keep. Or not. Because, as I mentioned, it’s gnawing at me.

Day Whatever


I’m losing them already, not yet two weeks into this new year. Days, that is. I’m losing them. Oh, I know where they’re going; they’re just not going where and how they should. Which is mostly a prioritization issue. I am still on winter hibernation sugar coma brain.

We rounded up the team and dragged our asses back into the collective virtual space that is our daily Google Hangout, and have been stunned and excited to realize that we did, actually, manage to produce six books last year. Five actually came out, and the sixth one–the second volume of the Cady Collection–hit the warehouse on December 30th. Because publishing never sleeps, kids. Never.

Or maybe it does, and we’re still too eager to realize that. Regardless, more books than can be counted on one hand last year for us. That’s something.

And Farrago’s Wainscot relaunches today with issue 13. I had little to do with the stories and the behind the scenes code updating, but I’m delighted that it is the thirteenth issue with which the Old Man decides to return. More wacky experimental fiction.

Last year, I put out a collection (The Court of Lies) and a Christmas novel (Rudolph!). Neither were really on my to-do list at the beginning of last year, but they’re out now and so they go in the WIN! column. Getting content into the WIN! column is all that really matters. The details of how it gets there isn’t important. Well, maybe to me, because the process might have been some terrifying ordeal that I don’t want to repeat, but we are not going to dwell on those things now, are we?

Three issues of Cimarronin came out as well, and the other three have been scripted. It’s taken longer than I would have liked to put out six issues of a comic, but we decided we would re-invent the wheel once or twice along the way. Happily, we’ve got lots of pages for Dean Kotz to draw, so we’re out of the doghouse on that one. Colors for the first issue of the second arc have been making their way through our work flow, and so I’m hoping these issues will be available in the next few months.

I wrote 30,000 words on VERTIGO, 30,000 words on a draft of something else that is going to get scrapped and/or recycled into another project, and a bunch of words polishing material that ended up in The Court of Lies and Rudolph! In the last week of the year, I managed 20K on FERAL, but those words will probably end up in 2015’s count. There’s been about 20K worth of words written for the ETERNAL QUEEN theme for Worldspinner. All in all, about 100K or so words written in 2014 with no new book finished. Other than the three issue arc of Cimarronin in the spring, I don’t have any material scheduled for 2015. Yet. The year is young.

In my notebook, I three projects tagged as having been started at the beginning of 2013: HERE BE MONSTERS, BLOOD HARVEST, and ANGEL TONGUE. EVERGREEN showed up in 2014. None of those books have been finished. New projects are VERTIGO and FERAL. HERE BE MONSTERS has become ETERNAL QUEEN. Otherwise, things are in flux. Life as a writer without a contract. I’m going to label 2015 as the Year of Content. 2013 was the WTF? year. 2014 was Firebird Rising. This year is about making content.

So, yes, I don’t know what day it is, but it’s probably a writing day, regardless.