burning armchair

June Metrics

Metrics

Let’s get right to the numbers for June.

Total words: 41,250
Average per day: 1,331
Completed: one short story, one non-fiction book

“All for One,” one of the stories I wrote last month, has officially sold. It’ll be in Ragnarok Publishing’s MECH anthology later this year. They’ll be Kickstarting it in the fall, and I’m delighted to be part of one of their anthologies. They make massive tomes with lots of extra goodies.

The short story I finished this month is out as well. I just squeaked it in by the deadline. I doubt I’ll hear anything for several months. You write them, and then forget them: that’s the way it is with short fiction.

The big project for June was writing Jumpstart Your Novel, the non-fiction book that is the print version of the talk I’ve been giving off and on for the last few years. One of the take-home lessons from the last convention is that if you’re going to show up and talk process, you might as well have something interested parties can purchase. And I wanted to see how much stress I could put on both myself and my publishing infrastructure to get something out quickly. The book isn’t all that long, really, though it has more formatting quirks than your normal fiction book. I started writing at the beginning of June, and this afternoon I’ll be finishing up the layout. Darin Bradley knocked out the cover, like he does, and Neal Von Flue was gracious about finding room in his schedule to do the illustrations. All in all, I’m pleased with what we’ve accomplished in thirty days. I’ll put up another post in a few days when all the various buying links are active.

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I also did the layout myself, and will probably be doing the ebook conversion as well. I like knowing how to do things, and as these are part of the publishing chain, I think it’s important to understand the pluses and minuses of the technical work. I tell folks that self-publishing is mostly you taking the whole dollar for yourself and then deciding how much of that dollar you want to pay to other people. Sure, I can do the cover, layout, and conversions myself, but is that time well spent or is it more economical for me to simply pay someone else to do it, freeing up more of my time to actually write? If it costs me a couple hundred bucks, but takes three weeks, is that worth the delay versus me taking an afternoon and doing it myself?

Anyway, useful tools. It’s all about figuring out which tools you want to rent and which ones you want to own, right?

Getting this out of the way means that July can be spent working on a book. My new goal is to create something that people can buy every month. I’m still in that odd space of not having a book contract in hand, and Resurrection House is covering itself, but it’ll be another year or more before it becomes something that can provide beyond its own needs. So, I need to build some revenue streams.

Yes, I could go find a part-time job, I suppose, but that puts me in the position of writing, publishing, and working somewhere. That’s three things. I’ve done that before, and I can attest that one of the three suffers. If either publishing or writing are put in that position, then eh . . . what’s the point? A career that you’re not even attempting to do well yourself isn’t going to magically take off on its own now, is it?

So, I write. A lot. And I figure out new ways to find new audiences. It’s part of the job, right? I didn’t win the fiction lottery with my first book, so now it becomes a profession I have to work at. Fortunately, I like this sort of work, so there’s hope.

And speaking of writing, Clarion West is in session right now, which means the Clarion West Write-a-thon is going on. I went ahead and put myself up there this year, mainly for the sake of keeping someone on task with finishing SNAKE EYES in a timely fashion. I don’t expect anyone to pony up their pennies on my behalf, but if you are so inclined, Clarion West is where the next generation loses their innocence and gets hardened for the particularly character-building life that is being a creative.

Yeah, building character. That’s what it is all about. That’s what I tell my kids, anyway.